Views: 12 Author: Site Editor Publish Time: 2026-07-22 Origin: Site
When audiences enter a stadium for a large concert, they usually see only the finished result:
A huge main stage.
Giant LED screens.
Suspended speakers.
Lighting systems.
Audience areas.
Professional backstage facilities.
The venue may appear to have been created overnight.
However, a large stadium concert is actually a temporary engineering project that requires careful planning, transportation, structural installation, production integration and final restoration.
During the 2026 Guangzhou Pearl Beer Festival Music Festival, the overall project period extended from 10 July to 21 July.
At first glance, nearly two weeks may seem like a long time to build a temporary stage.
However, this period did not represent only stage construction.
It included:
Material transportation.
Site preparation.
Ground protection.
Structural installation.
Roof assembly.
Ringlock construction.
LED installation.
Audio installation.
Lighting installation.
System testing.
Rehearsals.
Event operation.
Stage dismantling.
Stadium restoration.
Therefore:
The timeline of a stadium concert is not the time required to build a stage. It is the complete lifecycle of creating, operating and removing a temporary venue.
The overall construction sequence can be understood in Construction Sequence of a Stadium Concert Stage: From Empty Venue to Complete Event Structure.
A stadium concert project can be divided into several phases.
Date Range | Main Activities |
|---|---|
Before 10 July | Design confirmation, production, transportation preparation |
10–16 July | Main structural construction and equipment installation |
16–18 July | System integration, testing and rehearsal preparation |
19 July | Concert operation |
20–21 July | Dismantling and site restoration |
The visible performance is only one day.
The engineering process surrounding that performance lasts much longer.
Before construction begins, the first challenge is not installation.
It is logistics.
A large stadium concert requires transporting many different systems, including:
Steel roof components.
Hydraulic lifting equipment.
Ringlock structures.
Aluminium roof frames.
Stage decks.
LED cabinets.
Line array speakers.
Lighting equipment.
Cables.
Power distribution systems.
Temporary tents.
Ballast tanks.
These materials do not arrive as one complete structure.
They must be delivered, sorted and installed according to construction sequence.
For example:
The main roof structure must arrive before final rigging.
Ringlock components must arrive before LED support systems.
LED cabinets must arrive after their supporting structures are ready.
Audio equipment must be installed after the structural suspension points are verified.
The construction sequence is therefore controlled by structural dependency.
A stadium is designed for sports activities, not heavy construction.
Before trucks, forklifts and structural components enter the field, the existing surface must be protected.
The construction team must consider:
Turf protection.
Track protection.
Drainage systems.
Vehicle routes.
Material storage areas.
Emergency access.
At this project, the stadium surface was protected using multiple layers, including:
Waterproof protective sheets.
Anti-slip layers.
Plastic protection boards.
Steel protection plates.
Modular temporary flooring systems.
The purpose was not only preventing visible damage.
It was also to create a stable working environment for:
Forklifts.
Material transportation.
Temporary structures.
Heavy equipment.
More details about this process can be found in:
How Are Stadium Tracks Protected During Concert Construction?
The main stage is not assembled as one complete object.
It develops from the ground upward.
The sequence usually includes:
The first step is establishing:
Centre line.
Main stage position.
Roof column locations.
Walkway alignment.
Audience relationship.
Accuracy at this stage determines the final geometry.
The main roof structure requires:
Steel bases.
Main columns.
Hydraulic cylinders.
Roof beams.
Aluminium curved roof frames.
The roof cannot simply be lifted into position.
It is assembled and raised progressively.
The complete method is discussed in:
How Is a Large Concert Main Stage Constructed?
At the same time, large Ringlock structures are assembled around the stage.
These structures support:
LED screens.
Audio systems.
Technical platforms.
Access areas.
Ringlock construction requires:
Correct geometry.
Bracing.
Load paths.
Connection control.
Relevant engineering principles are explained in:
What Is a Steel Ringlock Structure? Applications, Advantages and Event Uses
and
How Do Ringlock Structures Support Large Concert Stages?
After the structural systems are stable, production equipment can be installed.
This phase often requires significant time because many different technical teams work together.
LED screens are not simply placed wherever there is space.
Each screen requires a suitable support method.
During this project:
The main background LED was supported from the stage platform.
Side LED screens were installed on Ringlock structures.
FOH LED screens used Ringlock support.
The front roof LED banner used an aluminium support frame.
Different LED locations required different engineering solutions.
More details:
How Are Large LED Screens Supported?
Large line arrays require:
Rigging points.
Structural verification.
Hoisting.
Safety cables.
Acoustic positioning.
The main stage PA, side PA and relay speaker systems all used different support methods.
More information:
How Are Line Arrays Suspended Safely on Large Concert Stages?
Lighting systems require:
Truss installation.
Motor systems.
Cable routing.
Addressing.
Testing.
The lighting cannot be installed before the supporting structures are ready.
The roof height, rigging position and lighting angle must work together.
A concert is not finished when the structures are standing.
The production system must be integrated.
This includes:
Engineers check:
Speaker delay.
Coverage.
Sound balance.
System timing.
The main PA and relay systems must work together.
Lighting engineers program:
Fixtures.
Movement.
Effects.
Cues.
LED systems require:
Signal testing.
Screen alignment.
Camera integration.
The team verifies:
Performer movement.
Walkway access.
Backstage circulation.
Safety routes.
The venue becomes a functioning performance system only after these elements work together.
One common misunderstanding is:
If the project is urgent, why not work continuously day and night?
For large urban stadium events, construction time is affected by environmental and regulatory limitations.
The project took place during July in Guangzhou.
This period is characterised by:
High temperature.
High humidity.
Strong sunlight.
According to occupational safety requirements, outdoor construction work during extreme heat conditions must be adjusted to protect workers.
When temperatures become too high, especially above certain thresholds, continuous daytime outdoor work may be restricted.
This means the available working window is not simply:
24 hours × number of construction days.
Actual productive hours are reduced.
Workers must avoid the most dangerous heat periods and maintain safe working conditions.
For temporary structures involving:
Steel components.
Aluminium structures.
High-level installation.
Heavy lifting.
worker safety directly affects construction efficiency.
Another limitation is the urban environment.
The stadium was located in the central area of Tianhe District, Guangzhou.
Night construction in a city centre involves considerations such as:
Noise control.
Traffic impact.
Surrounding residents.
Public safety.
Stadium management requirements.
Therefore, extended night work cannot always be arranged freely.
Even when additional hours are needed, approval and coordination may be required.
The result is that the available construction schedule must balance:
Project deadlines.
Worker safety.
Urban regulations.
July in Guangdong is also part of the typhoon and heavy rainfall season.
Weather directly affects temporary structure construction.
Heavy rain and strong wind can influence:
Crane operations.
High-level installation.
Roof assembly.
Fabric installation.
Rigging work.
Electrical installation.
For example:
Installing a large curved roof membrane requires suitable weather conditions.
Operating lifting equipment during strong winds may create unacceptable risks.
Installing electrical systems during heavy rain requires additional protection.
Therefore, construction schedules must include weather considerations.
The project timeline is not controlled only by manpower.
It is also controlled by the environment.
A professional event company does not simply try to build as quickly as possible.
The goal is:
Safe installation.
Correct structural assembly.
Reliable operation.
On-time event delivery.
Efficient dismantling.
Reducing construction time without proper control may create:
Structural risks.
Installation errors.
Equipment problems.
Safety issues.
Temporary does not mean simple.
A structure used for only one day still requires the same engineering discipline as a permanent structure.
After the concert ends, the project is not finished.
The venue must return to its original condition.
Dismantling follows a controlled reverse sequence.
Usually:
Remove performers’ equipment.
Remove lighting and audio systems.
Remove LED screens.
Remove rigging.
Dismantle Ringlock structures.
Lower and disassemble roof systems.
Remove stage decks.
Remove ground protection.
Restore the stadium area.
The dismantling process must be as carefully planned as installation.
Removing a temporary structure incorrectly can damage:
Equipment.
Stadium surfaces.
Components.
It can also create safety hazards.
Although the event lasts only one day, the engineering lifecycle lasts much longer.
Transportation, testing, rehearsal, operation and restoration all require time.
Outdoor temporary structures are always affected by:
Heat.
Rain.
Wind.
A stadium concert must also consider:
Regulations.
Noise.
Public safety.
Traffic.
Neighbouring environments.
The reason a stadium concert stage requires nearly two weeks is not because the structure itself is difficult to assemble alone.
The timeline includes the complete process of transforming a stadium into a temporary performance venue.
From 10 July to 21 July, the project involved:
Transportation.
Ground protection.
Structural construction.
Roof installation.
Ringlock systems.
LED installation.
Audio and lighting integration.
Rehearsal.
Concert operation.
Dismantling.
Site restoration.
In addition, the construction schedule had to adapt to:
Guangzhou summer heat.
Urban night-work restrictions.
Guangdong typhoon and rainfall conditions.
A large concert is therefore not simply a performance.
It is a temporary engineering project operating under structural, environmental and operational constraints.
The audience sees one night of entertainment. Engineers manage nearly two weeks of planning, construction, operation and restoration to make that night possible.
The DragonStage 11x6x7m Covered Concert Roof Truss System combines an 11m-wide × 6m-deep × 7m-high main stage roof with two 2m side PA speaker wings.
The illustrated configuration features a pitched aluminum roof framework with a blue roof canopy, four main support towers, two independent speaker towers, and a matching modular stage platform with guardrails and dual stair access.
Designed for concerts, festivals, live performances, community events, and temporary outdoor productions requiring a coordinated stage roof and separate speaker-support positions.
The DragonStage 10x5x7m Aluminum Pitched Roof Truss System is a modular concert-stage structure featuring a 10m-wide × 5m-deep × 7m-high main roof frame with 2m side speaker wings on both sides.
The configuration combines a pitched aluminum roof-truss framework, four main support towers, two additional side speaker towers, and a matching modular stage platform as illustrated. It is designed for concerts, festivals, live performances, community events, and temporary stage productions requiring separate side positions for line-array or PA equipment.
The DragonStage 32x24x18m Large Ringlock Scaffold Roof Truss Structure combines a large modular Ringlock support system with a heavy-duty aluminum pitched-roof truss framework.
Designed for stadium-scale ceremonies, festivals, cultural performances and large outdoor event productions, the system integrates extensive scaffold support zones, heavy aluminum roof trusses, custom roof connectors, tensioning components and a large roof canopy.
The drawing identifies a nominal 32m × 24m × 18m configuration, with the overall height shown at approximately 18.21m.
A wide low-profile cable protector ramp designed for temporary event areas where power, audio or signal cables need to cross pedestrian routes.
The ramp measures 1270 × 900 × 60mm (50 × 35.4 × 2.36in) and provides multiple 46 × 46mm (1.81 × 1.81in) 20kg cable channels beneath a hinged yellow cover. Wide sloped side sections create a smoother crossing surface for pedestrians, carts and wheelchair users compared with conventional narrow cable protectors.
A complete professional event sound package combining 16 dual-12-inch passive line array speakers, 10 dual-18-inch subwoofers, 6 stage monitors, dedicated Class-D power amplifiers, dual 4-in/8-out DSP processors, power management, wireless microphones, rigging frames, flight cases, amplifier racks and cabling.
This system is designed for concerts, live performances, festivals, touring productions and other professional event sound applications where the customer needs a coordinated PA package rather than individual speakers.
For other professional audio systems, see Stage Sound.
The DragonStage 15×10×8m Aluminum Curved Roof Truss System is a modular concert-stage roofing structure featuring a curved overhead truss framework, four main support towers, and two additional side-wing towers.
The system uses CS389×389mm and CS289×289mm aluminum spigot truss, sleeve block assemblies, BA05 manual hoists, tower bases, outriggers, and a PVC roof canopy. The side wings extend the configuration for additional event-production arrangements, subject to the final equipment layout and verified loading requirements.
Designed for concerts, music festivals, touring productions, and temporary entertainment stages, this system can be supplied with matching modular stage platforms and accessories.
The DragonStage Custom Five-Point Star Aluminum Truss is a decorative event structure designed for wedding backdrops, stage displays, photo areas, exhibition decoration, and artistic event installations.
Featuring a distinctive pentagram-style star shape, the product is available in 2.5×2.63m, 3×3.15m, and 4×3.8m configurations, with selected 200mm and 300mm truss section options.
The customized star geometry provides an alternative to conventional square, rectangular, or circular event truss structures.
The DragonStage 9x6m Bolt Truss Gantry System is a modular event-support structure featuring two vertical truss towers, a horizontal bolt-connected truss beam, tower-head assemblies, base plates, and diagonal outrigger bracing.
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The DragonStage 36x18x12m Large Concert Stage Roof Truss System is a large-format modular event structure featuring a multi-tower truss support system, an elevated overhead truss framework, and a modular stage platform with guardrails and stair access.
With nominal dimensions of 36m wide × 18m deep × 12m high (120ft × 60ft × 40ft), this configuration is intended for large concerts, music festivals, live performances, and temporary entertainment productions requiring an extensive stage area and overhead structural framework.
The DragonStage 6.72x4.89m modular event stage combines a 0.6m-high red stage platform with a 7.7m-wide, 4.4m-high rear box truss gantry. The open-top configuration provides a raised performance area and a separate overhead truss frame for event backdrop and production applications. Suitable for concerts, school performances, ceremonies, and indoor events, with final accessories and rigging requirements confirmed according to the project.
The DragonStage 25x10m Ringlock Grandstand is a large modular spectator-seating system designed for temporary sports events, school competitions, festivals, public performances, and other audience gatherings. Measuring 25m wide × 10m deep, the illustrated configuration features tiered seating, two access aisles, and three-sided guardrails. The specified main height is 2.5m, with an overall height of 3.5m. The modular Ringlock system can be configured according to the required seating layout, access arrangement, and project conditions.
The DragonStage 2.44x1.22m Portable Aluminum Stage Kit is a compact 8x4ft temporary event platform supplied with one access stair. Designed for small outdoor concerts, DJ performances, speeches, ceremonies, promotions, and temporary event use, the modular stage can also be combined with additional compatible 4x8ft units when a larger platform is required.
The DragonStage 3.8x3.4m Aluminum Arch Truss Gateway is a compact curved entrance structure built from 290×290mm spigot truss with 300×500mm base plates. With overall external dimensions of approximately 3800mm wide × 3400mm high, it is designed for wedding entrances, exhibition gateways, red-carpet areas, event decoration, photo zones, and other temporary event displays.
DragonStage 632x210x165mm Black Aluminum U-Frame Top Drop Arm for Moving Head Lighting Suspension
The DragonStage 5.49x1.22m Straight Aluminum Event Stage Ramp provides a direct access route for wedding stages, corporate events, ceremonies, hotel functions, and other temporary platforms. The ramp measures approximately 18ft long × 4ft wide (5.49 × 1.22m) and uses modular 4 × 4ft / 1.22 × 1.22m deck sections with 1m / 3.28ft high guardrails along both sides.
The DragonStage 3.0x1.22m Compact Aluminum Stage Transition Ramp provides a short, direct access route between ground level and temporary event stages. With an overall length of approximately 3.0m / 9.84ft and a width of approximately 1.22m / 4ft, the ramp uses modular aluminum stage components and includes 1m / 3.28ft high guardrails on both sides.
The DragonStage 7.84x1.23m Narrow Straight Aluminum Stage Access Ramp provides a direct route between ground level and an elevated temporary stage for performers, speakers, technicians, event staff, and production crew. Its slim footprint measures approximately 308⅝ × 48⅜ in (7.84 × 1.23m) and uses modular 4 × 4 ft / 1.22 × 1.22m ramp deck sections with 1m / 3.28ft high guardrails along both sides.
The DragonStage 7.32x3.05m Compact Switchback Aluminum Stage Service Ramp provides a continuous access route for AV carts, production trolleys, touring equipment, technicians, and stage crew. Its compact U-shaped footprint measures approximately 24 × 10 ft (7.32 × 3.05m) and uses standard 4 × 4 ft / 1.22 × 1.22m modular ramp decks with 1m / 3.28ft high guardrails along both sides.
The DragonStage 7.40x8.26m L-Shaped Aluminum Backstage Loading Ramp is designed for moving flight cases, lighting cases, audio equipment carts, cable boxes, production trolleys, and event equipment between ground level and temporary stages. The 90-degree layout has an overall footprint of approximately 291⅜ in × 325¼ in (7.40m × 8.26m) and uses standard 4 × 4 ft / 1.22 × 1.22m modular deck sections with 1m / 3.28ft high guardrails along both sides.
The DragonStage 9.82x3.23m Switchback Modular Aluminum Event Stage Ramp is designed for temporary stages requiring a continuous access route for wheelchairs, performers, event staff, carts, and wheeled concert equipment. The compact U-shaped layout measures approximately 386⅝ in × 127¼ in (9.82m × 3.23m) and uses standard 4 × 4 ft / 1.22 × 1.22m modular ramp deck sections with 1m / 3.28ft high guardrails along both sides.
FOSHAN DRAGON STAGE
No.7,Xiaxi Industrial Area,Heshun,Nanhai District,Foshan,528241,Guangdong,China.
+86 136 3132 8997
